The baseball season is built on the number three. Each team gets three outs per inning, and each hitter gets three strikes before he is called out. Each league has three divisions, and most of the match ups are three-game series.
Sometimes, though, the three games in a series, even though they are played in succession, bear no resemblance to one another. The opener might be a tight pitcher’s duel with a scarcity of scoring, game two might be a slugfest that wreaks havoc on each pitcher’s earned run average, and the finale could be a rout.
Songs can be looked at in the same way, because more often than not they are divided into three distinct parts. Like the trio of games in most baseball series, the parts of a song are closely related judi depo gopay.
They have a verse section, a chorus, and somewhere in between they insert a bridge. Though the parts are indeed separate, they all bear some of the same characteristics. The common thread could be the lyrics, the chord sequence, or merely a connecting riff.
Occasionally the three parts of a song can be as completely different from one another as the baseball series comprised of a slugfest, a pitcher’s duel and a rout. In other words, the three sections seem totally unrelated, lacking any obvious rhythmical, lyrical or instrumental connections.
Because of the variations within, such songs tend to last longer than the average hit single. In fact, the only song that fits the category to feature a running time under four minutes is “Happiness Is a Warm Gun,” the John Lennon gem that closes out side one of the White Album.
Its opening is a psychedelic description of the song’s subject, adorned with “do do do do’s” and “oh yeahs.” In the middle section, which comes alive with electric guitar, Lennon announces that “Mother Superior Jumped the Gun.” A Beach Boys-like section closes the song, a series of falsettos that seem totally separate from but even more enticing than the preceding parts.
Here are the five other well-known songs with three distinctive parts.
“Stairway to Heaven”
Led Zeppelin’s signature song opens slowly with Robert Plant informing us that “There’s a lady who’s sure all that glitters is gold,” followed by a faster-paced section identifying a “bustle in your hedgerow.” The final part, “As we wind on down the road,” is the hard rock that characterized much of the group’s seventies work.
“Suite: Judy Blue Eyes”
Crosby, Stills and Nash open this ode to Judy Collins with an acoustic guitar while the trio admit, “It’s getting to the point where I’m no fun anymore.” The second part slows the song down, as Nash and Crosby harmonize about “Friday evening and Sunday in the afternoon.” A quickened pace backs Stills singing “Chestnut brown canary, ruby throated sparrow” to open the spastic final section of the song.
“Band on the Run”
Paul McCartney’s most popular title track has a symphonic opening, where he explains that the subjects are “stuck inside these four walls.” A desire for escape is announced with electric guitars backing Paul’s plan for “If we ever get out of here,” and an acoustic takes over as soon as the band breaks out when “The rain exploded with a mighty crash.”
Freddie Mercury created this Queen epic that sequences a murder backed by a mellow piano, a frightening operatic trial presided over by Beelzebub, and a closing with Brian May’s excellent electric guitar accompanying the vicious escape.